|  Chichen
Itzá
This is an archaeological site located in the state of Yucatán,
120 km (72miles) from Mérida
on the Mérida-Cancun
road. This sacred city was one of the biggest Maya sites of the
Yucatán Peninsula.
Throughout its almost one- thousand – year history, the city
was embellished thanks to the contribution of different people.
Mayas, Toltècs and Iztáes left the prints of their
vision of the world and universe on the stones of the monuments
and art works.
Chichén Itzá means "the mouth of the well of
the Itzás". This major ceremonial center combines grandeur
and nature. According to the sacred book of Chilam Balaum, this
well was discovered in the fifth century by the Itzás. The
Itzas abandoned it two centuries later. They migrated to the area
of Champotón and came back two and a half centuries later,
with the Toltecs, to establish themselves there in late ninth century.
These warrior groups united with the leaders of the main families,
the Xius from Uxmal,
the Cocoms from Mayapán and the Itzás from Chichén
Itzá. But, the latter, betrayed by the Cocoms, emigrated
again to Petén, Guatemala. There, they founded in Tayasal,
the actual Flores, an independent Empire which held out against
the assaults of the Spanish until 1697.
During the Conquest, Francisco de Montejo tried to settle there
but he was expelled from Chichén Itzá by the Mayas
led by Canek.
It looks as if the site was inhabited earlier but the first stone
buildings, known as the Nunnery and its annex, the church, Akak
Dzib, Chichan-chob, Casa del Venado (house of the deer)
and the temple of the Panels, were built during the classical period,
between the seventh and the tenth century. These constructions look
like the ones in Uxmal
(they are contemporary).
During the toltec occupation, new buildings were constructed: the
pyramid known as El Castillo, the temple of the thousand columns
including the temple of the warriors, the ball court and other temples
like the Tzompantli (wall of the skulls), the platform of Vénus,
etc..
Even abandoned, Chichén Itzá conserved its sacred
character and there were pilgrims organized in the whole Yucatán
and from the neighboring counties to visit the sacred well "dzonot"
(Maya word meaning cenote ) and do sacrifices.
 The
sacred city
 Chichén
Itzá, in opposition to most of the other sites, doesn’t
have a master plan. It comprises several units spread on a 5 km2
(1.6 sq miles) area. The units are linked with streets called "sacbé
or sacbeob for plural, (paved or “white” trail). The
dominating unit is the Toltecs’ one, surrounded by a low-rise
wall studded with several entrances. There are the characteristics
of Toltec architecture : porticos with columns, gallerias, pillars,
snake shaped columns, Chac Mool sculptures, hominoid sculptures
of "atlantes" kind, banner bearers, sculptures in the
round of jaguars and eagles, tzompantli or wall of the skulls and
representations of Quetzalcóatl, named Kukulcán in
Maya.
Chac-mool was an intermediate between a man and gods. Notice
the small dish to receive the sacrifices.
The tzompantli is a wooden building with 4 rows of impaled skulls.
The Toltecs imposed this loved God to the dominated people. They
also imposed the bloody rites of human sacrifices which made them
always fight to capture victims. Their influence reached the Caribbean
coast.
Chichén Itzá was considered by some people to have
been the "new Tula", or
the "big Tula".
The sacred well (cenote
sagrado)
This natural well located at the end of a 300 m (984 ft) long trail
goes from the Main Plaza of the Castle towards the North. It was
used only for religious, ceremonial and ritual purposes. It was
dedicated to Chaac, God of rain and water. It is a circular well
with a diameter of 60 m (197 ft). The almost vertical walls plunge
22 m (72 ft) to the surface of the water. The water is about 20
m (66 ft) deep. The bottom is muddy and the water is green due to
algae and micro-organisms. Some walls are original but we can see
some modifications on the southern part; a kind of tribune was set
later in order to allow spectators observing the rituals and ceremonials
that were held there.
This well was viewed as a sacred place where children, young women
and warriors were sacrificed: they were thrown down from an irregular
platform set on one edge. By the side of this platform, there is
a steam bath were the victims were purified before being sacrificed.
From 1882 to 1968, they did excavations at the bottom of the well.
The diggers found valuable objects and important archaeological
artifacts from different sites. This proves the presence of pilgrims
coming from the neighboring Chichen Itza and from distant lands
of Central America to drop off offerings to the divinities honored
there.
They collected skulls of sacrificed people and many bones and objects
such as gold and copper bells, fine cut gold disks representing
historic and religious scenes, pyrite disks and mirrors, jade pearls,
copal bowl and gumdrops, sculptures of head and tail of snakes,
wooden objects such as small benches, handles and a commandment
stick, a jaguar-shaped standard bearer, rings and copper sandals,
polished stones coming from the Ball Game, vases, clay recipients
and arrow heads.
The Venus platform
This is a quadrangular structure with a stairway on each
side; the ramps have big heads of feathered serpents on the top
end. On the walls, panels show bas-reliefs whose themes relate to
Venus, a planet studied by Mayan astronomers. The Spanish columnists
report that shows were held on these platforms. This platform comprises
diverse elements: in the background, Venus is represented leaving
the mouth of a serpent while on the panels jutting out, she is symbolized
by the design of Pop month with tied sticks and a stellar cable
molding (star-shaped flower).There is a serpent surrounded with
fish on the panel of the cornice.
The platform of Venus presents on each side feathered serpents and
symbols of Quetzalcóatl-Kukulcán. On each corner,
there are glyphs of Pop month, the first month of the Mayan calendar,
and symbols of Venus. It is maybe a representation of the relationship
between the solar calendar and the cycles of Venus.
The Castillo (Kukulkán)
This 60m (198feet) wide and 24m (79feet) high pyramid is the most
imposing construction. It was built between 650 and 800 AD. Its
characteristics are linked to the Mayan solar calendar. Each face
has a stairway with 91 steps leading to the temple. The total of
364 steps plus the upper platform equal 365, the number of days
in a year. On each face of the pyramid are 52 sections of panel
and 52 is the number of years in the Toltec cycle. The stairway
also divides the 9 terraces into 18 segments representing the 18
months of the solar year, each one made of 20 days. During the equinoxes
(March, 21 –September, 22), the shadow projected on the stairway
shows a snake descending from the top of the pyramid to the sculpted
heads set at the foot of the pyramid. It is the day of the descent
of Quetzalcóatl. While restoring, they found another stairway
under the outside stairway. It leads to another temple inside this
one.
The specific orientation of the "Castillo" is not a coincidence.
The orientation is 21°12'east of north. It is the result of
a meticulous research that allows a unique play of lights and shadows
on equinox days about one hour before sunset. The nine degrees angles
project, on the north stairway, a shadow that looks like moving
snakes.
The pyramid was built in two stages. The temple comprises a vestibule
in which you get in walking between two serpent-shaped columns.
The serpents have open mouth; their bodies are the main parts of
the columns, the tails support the lintel of the door and the heads
form the base. The indoor room has two pillars decorated with bas-reliefs
supporting the roof beam, a talus facing, a vertical wall with a
frieze between two cornices on the top and three panels.
On the back, a galleria with three doors leads
into the South, East and West stairways. There is a mascaron of
God Chaac on the main entrance; the roof is ornate with shell-shaped
crenels, a symbol of the array of the God of wind. Faces of priests
and warriors are carved on the door jambs.
On each of the four faces of the Castle, one of the most impressive
monuments in this site, stairways lead to the top temple. At the
base of the ramps located on the northern part of the pyramid, two
huge feathered serpent heads are carved in the stone. They have
a mouth wide open on erect fangs with a tongue decorated with semi-circles
reminding the movement of the sun. This is probably linked to Kukulkán-Quetzalcóatl.
Worship to the poisonous snakes, such as the cobra, and the symbolism
linked to it were characteristics of the ancient civilizations.
The rattle snake has been worshiped in the Meso-American cultures
in Yucatan since the end of the classical period. It was introduced
by the Toltec invaders who consolidated their power and imposed
their religious, artistic and cultural conceptions as we can see
through the edifices and decorative designs of the Toltec culture.
Because of fatal accidents, you cannot go up to the top of the pyramid.
The
temple of the warriors
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Part of the Thousand
Columns group, the temple of the warriors was reserved for
human sacrifices, as the truncated pyramid shaped stone
in front of the altar suggests it. This huge temple is built
on a platform with terraces adorned with eagles and jaguars
(diurnal and nocturnal sun) eating human hearts. The roof
that was supported by pillars disappeared and you can see
two snake shaped pillars at the entrance. The snakes have
the tail standing and the head on the ground. In the back,
there is an altar supported by human figures called "atlantes".
Two Chac Mool appeared prominently on the stairway for one
and at the entrance of the temple for the other one.
Another older temple was discovered under this one, with
bright painted columns.
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This magnificent edifice, built on top of an older
temple, stands on a 40 m side and 12 m high base. It has several
platforms organized in talus and a cornice carved with warriors,
jaguars and eagles devouring human hearts.
The temple has two rooms : you get there through a stairway whose
sides are decorated with feathered serpents. The heads of the serpents
are on the top of the temple, with carved warriors as standard bearers.
Across from the entrance of the temple, there is a Chac Mool between
two feathered serpent shaped columns; these columns demarcate three
windows leading onto the first room of the temple.
 The
door jambs of the entrance are ornate with bas-reliefs and the pillars
have sculptures representing Kukulkán, warriors and other
personages. In the second room, also supported by pillars, an altar
supported by Atlantes is built in the back wall; there is a combination
of Toltec and Mayan designs on the outside walls. Above the cornice
of the lower part there is a set of mascarons of Chaac of Puuc style
as well as a haut-relief representing the human face of Kukulkán
emerging from the mouth of a serpent.
Beyond the upper platform, a stairway leads to
two vaulted rooms that have the remains of paintings on the walls,
remnants of a former construction called substructure of the Warriors
or Temple of Chac Mool. It is so named because of the discovery
there of a Chac Mool sculpture.
The temple of the Warriors was probably reserved to human sacrifices
made on the truncated pyramid shaped stone located in front of the
altar.
On the cornice that demarcates the talus of the lower part of the
Temple of the Warriors, a mascaron represents Kukulkán-Quetzalcóatl
with a human face, emerging from the mouth of a serpent; on the
background of the mascaron, there are carved bas-reliefs of claws
and bird feathers, a symbol of the bird-man. The décor is
completed with masks of Chaac of Puuc style.
We can enjoy association of Mayan and Toltec decorative designs,
with mythological and religious inspiration. It is the merging of
the two cultures : Kukulkán was indeed the main deity in
Chichén as Quetzalcóatl was in Tula
and Teotihuacán.
In the back wall of the second room, an altar, built in the wall,
is supported by small sculptures of Atlantes; these are the typical
Toltec elements which were the base of decoration of the edifices
of Chichén Itzá from 1000 to 1250. The designs represent
warriors with pectoral muscles, bells and bracelets (these objects
were part of their work attire).
 Two
stone carved feathered serpent heads are on the top of the upper
part of the ramp along the stairway leading to the Temple of the
Warriors. The open mouths show the fangs; they are used as pedestals
for two sculptures representing warriors with joined hands; these
stone warriors were standard bearers supporting the emblems of the
Itzás and their governors.
Across from the portico of the Temple of the Warriors, there is
a big platform with a stone sculpture of Chac Mool, a typical Toltec
personage used to present offerings in a specific position of reclining
with the head turned to one side and a container in the hands. Some
researchers see him as the messenger between men and Gods.
It is located between two beautiful big serpent shaped pillars,
symbols of Kukulkán God, with a wonderful décor carved
on them. The tails of the serpents supported the lintels of the
entrance while their big heads were used as the bases on the ground.
Steam
Bath
You go through a four columns portico and a small doorway to get
into the steam room. There are benches sealed in the
walls and, in the back, an oven in which the stones were heated
and watered in order to produce steam.
The
marketplace
This is a lower platform with stairways on each side and in the
center. However, it is not sure that this place was used as a marketplace.
The main room consists of a large galleria with high walls in the
back, columns and pillars in the front and a stone bench all along
the walls. There is also an altar decorated with human faces on
the base and serpents on the cornice. The entrance had pillars ornate
with carved personages; behind the galleria the columns made a rectangular
patio and probably supported a thatched roof.
The
group of a Thousand Columns
It consists of numerous pillars and columns, many of them beautifully
carved. They surround a large square plaza. The columns and their
capitals supported beams on which masonry archways leaned on. Names
were given to the columns depending on their localization : you
will hear about the north columns or the north-east columns, etc….
The haut-relief of the Group of a Thousand Columns :
This Group is located in the Maya-Toltec part of the archaeological
site. Many of its columns and pillars offer nice sculptures with
diverse designs. You can see a haut-relief with a personage richly
arrayed with feathers and a nasal ring. This is a nice example of
the sumptuousness of the clothing of the governors and priests.
The upper class wore also cotton jackets adorned with feathers,
sandals and jewels made of jade, obsidian, shells and jaguar skins.
The
platform of the Jaguars and the Eagles
This rectangular platform has a stairway ending with a large feathered
serpent head on each side. The walls are decorated with panels with
bas-reliefs representing eagles and jaguars devouring human hearts.
The upper cornice is adorned with lying warriors.
The wall of the skulls
(tzompantli)
We can find the life worship through the death on the walls of this
platform covered with skulls. It is a stone representation of the
monuments made with human skulls impaled on stakes (tzompantli).
It was probably the place where the victims’ heads were displayed
to the public.
The Mesoamericans sometimes displayed the cut heads of their enemies.The
stone representation of this ritual is called the tzompantli.
It is probably here that the heads of the sacrificed
victims were displayed. On a slope panel, there is a panel in the
middle of two cornices; the upper one is decorated with bas-reliefs
skulls set on sticks; the cornices are surmounted by serpents and
eagles devouring human hearts as well as warriors and feathered
serpents. This shows the influence from Central Mexico.
The temple of the Jaguars and
its annex
This small temple, accessible by the side of the ball court and
close to the wall of the skulls, is like a tribune from where the
princes Itzá watched the game. It is named after a very ornamental
fresco of jaguar. In each corner, one can clearly see a jaguar (by
night) and an eagle (by day) eating a human heart, symbolizing the
offering to the sun.
The east platform of the Ball Game was cut to allow
the construction of a base accessible via a narrow stairway; from
there, you can reach the temple via a small stairway whose ramps
are ornate with bas-reliefs in relation with Kukulkán. The
temple consists of a vestibule and a room with an altar; on the
walls, you can see remnants of paintings, including one of the battles
of the Itzás.
The upper panel comprises two feathered serpents with intertwined
tails and jaguars in the middle. The temple was named after the
jaguars which walk in opposite directions towards three shields,
symbols of war; intertwined serpents are on the lower frieze.
Behind the temple, you find the small Annex at ground level : it
is an only room embellished with very nice designs.
The pillars demarcate three entrances; in the middle one, there
is a jaguar shaped stone throne. The jaguar was the animal symbolizing
the power of the Mayan governors. The three entrances are demarcated
by two large serpent shaped columns (the tails used as the bases
of the columns). Warriors are part of the décor of the lintels
and door jambs.
The court ball
The Ball Court is surrounded by two parallel walls with the characteristic
stone score rings (tachtli). There were named tachtli by
the Náhuas and Pok-Ta-Pok by the Mayas. The game was a mix
between basket-ball and hockey; two teams were fighting on the court;
the goal was to put a hard rubber ball through a ring cemented on
the center of the wall. The players could hit the ball only with
their head, elbows, hips and knees. The game had sacred significance,
probably linked to the sun.
The losing (or winning ?) team was sacrificed to the Gods. A fresco,
at the bottom of one wall, explains the sense of the ceremonial.
The Conquistadors discovered the ritual when coming to
Mexico-Tenochtitlán and you can “read” this same
ritual in the Popol Vuh, the sacred book of the Quichés.
One of the players is seen, after having beheaded a player of the
opposite team, holding a flint knife in one hand and the head of
the victim in the other hand. The blood spurting from the headless
body takes the shape of snakes and one of them is converted into
plants covered with flowers and fruits. Life emerges from death.
This stadium has impressive dimensions : 168 m (538feet) long by
70m (230feet) wide.
These score rings were ornate with designs in relation with the
protective deities as well as the astral and mythological symbology
of this game. The stone ring of the Ball Court of Chichén
Itzá is carved with feathered serpent representing Kukulkán-Quetzalcóatl,
the most important deity in this region.
Above the court ball , the temple of the Jaguars displays the remains
of a mural telling of the Conquest of Chichén Itzá
by the Toltecs.
The North Temple
This edifice is located in the northern wall of the Ball game. It
has an only room with a lot of bas-reliefs representing Kukulkán
with warriors at his side and thirteen other personages. On the
back wall, there is a curious carving of a bearded man.
The South Temple
This temple, located at the southern end of the Ball game Court,
has an only room with a plain façade, a cornice with moldings
and friezes. At the entrance the six pillars are carved with warriors
and their names in hieroglyphs. On the inside panels, Kukulkán
is represented emerging from the mouth of a feathered serpent.
The Ossuary
Even if there are located in Old Chichén, on the other side
of the road, some buildings also belong to the Toltec time. Some
of them have huge interest and we advise you not to neglect this
part of the city during your visit. The first pyramid is the High
Priest’s Tomb also called the Ossuary. It is a small recently
restored pyramid in which they discovered seven tombs containing
offerings : shells, bells as well as rock crystal and jade figurines.
The big serpents and the partly restored adornment of the reclining
panels, as well as the altars lined in front of the main stairway,
indicate a Toltec style. The square altar could be the draft of
the platform of Venus which is on the main plaza. Some steps are
built in the walls forming a stairway leading to a natural cave
symbolizing the passage to the world of the dead.
The House of the Deer
This building was named after the deer painted on one of the inner
walls. It is a small temple with three rooms. It is built on a platform
with rounded angles, accessible via a central stairway. The façade
and the frieze are smooth and separated by moldings surmounted by
a large "cresteria" (main ridge) in very bad condition.
The
Red House ("Casa Colorada" or Chichanchob)
The Red House (Casa Colorada or Chichanchob) is the following building
in pure Puuc style, with masks of Chac above the doors. In the back,
a basement was used as a tribune for a small ball court whose presence
is marked by a few sculpted stones. This temple dominates other
structures more or less in ruins, among them the house of the deer
in the north.
It is also called the Red House because of a reddish strip on the
band on the portico. This temple still overlooks other more or less
ruined structures, including the House of the Deer at the North.
Chichén Viejo
Although they are on the other side of the road, in Old
Chichén, many other buildings belong to the Toltec time.
Some are of great interest and not to be missed while visiting the
site. The first pyramid is the High Priest Tomb also called the
Ossuary. It is a small pyramid just reconditioned that contains
human bones. The partly reconstituted big snakes and the decoration
are from the Toltec style. The altars lined in front of the main
stairway also. The squared one seems to be the draft of the platform
of Venus on the great plaza.
Still in Old Chichén : the Observatory (Caracol)
This curious building, built on a rectangular platform, is the result
of successive additions, the last one being circular, influenced
by the styles of the Mexican highlands. The windows, located at
the top, allowed the observation of the stars because of their very
precise orientations. On the right, you will see the cruciform map
of a ritual bath (temazcal).
This edifice is also known as El Caracol (the snail). It belongs
to the transition period from 900 to 1000. It is made of all in
one piece rectangular platform with a slope panel surmounted by
a 6 m high cornice with rounded angles. This platform is 67 m long
from north to south and 52 m wide from east to west.
The ramps of the stairway are carved with intertwined serpents.
On this platform, they built a circular base, with a diameter of
11m and a height of 3.70 m, decorated with cornices with moldings
and mascarons representing the God Chaac; this base supports another
circular slope-panel edifice with a diameter of 16 m and a height
of 5 m.; it has prominent moldings as well as a raised wall molding.
This ensemble was covered by another terrace surrounded by stone
incense burners shaped as human skulls; the cylinder-shaped construction
of the observation room was built on top of these terraces.
If you examine the tower, you can notice that, originally, the construction
was made of an only structure with a spiral stairway that gave the
structure its name. The stairway led to the observatory room. Then,
with the construction of two other bases, they added another room
and the terrace surrounding the tower. The observatory is a small
room with arrow slits from where they observed the stars.
The Mayan astronomers were able to define the position of different
stars. They devoted themselves to the movements of these stars.
After many precise astronomical and mathematical calculations, they
perfected a solar calendar, Haab, with 365 days parted in 18 months
of 20 days each plus 5 extra days and a ritual calendar, Tzolkin,
that predicted the life of the population and its destiny; They
used both calendars simultaneously searching for the harmony of
universe moving through cycles within cycles.
 The
Observatory Tower is a circular room with arrow sits from where
the Mayan astronomers studied the celestial phenomenon. Their astronomical
knowledge such as the determination of the cycles of the sun, the
moon and Venus, the calculation of the solar eclipses and the moving
of the stars, including the Pleiades, called Tzab, was obtained
using basic instruments and specific constructions such as the "Caracol".
The astronomy was linked to the conception of the Mayan world. The
Mayas considered the
cosmos as the field of action of the sacred forces and the stars
as gods whose people’s life depended on.
A little further, you discover the Temple of the Sculpted Panels,
a successful mix of Toltec and Maya architecture. The lateral walls
show how the corbelled vault is supported by pillars that considerably
enlarged the inner space. Fire ceremonies were held there. This
temple was built in two phases : first, they built
the temple consisting of a portico with three entrances, two serpent
shaped columns and a room with a bench; another room was later added.
It is accessible via a portico with four columns; inside, there
is a double row of columns and a bench all along three of the four
walls. A former stairway was destroyed and replaced by another one
that goes through the roof to reach the temple. On the outside walls,
built during the second phase, superb panels gave its name to the
temple. They consist in three rows of bas-reliefs with diverse designs,
including warriors, Gods, birds, serpents, monkeys, jaguars, trees
and a hut with three people.
Nunnery,
annex and church
A few steps further stands a group of buildings called the Nunnery
with the annex and the church, even if they had nothing to do with
the Christian symbolism. The building is of the pure Chénès
style , with the omnipresence of the Mask of Chac surrounded by
baroque designs. This two floor palace stands on an imposing platform
flanked by a big stairway, the whole thing is in very bad shape
! The annex, a more recent aisle added on the east side, has a spectacular
facade with a dignitary sitting feet and hands crossed. The entrance
symbolizes a huge open mouth with teeth or fangs ! The church is
a beautiful masterpiece in Puuc style. On each side of the central
mask, there are four people with animal busts, sitting sideways
on thrones. They are probably representing the four bacabs, bearer
of the earth world. Two of them, the turtle and the snail, are easily
identifiable.
 
The church is so named because of its proximity with the Nunnery;
the construction dates from the seventh and eighteenth centuries,
when the Puuc style flourished. Inside, a rectangular vaulted room
has a door on the west face. The symmetric decoration is essentially
made of stone mosaic. The frieze has three mascarons of Chaac, the
God of rain, set in the center and at each end. The most noticeable
ones are the mascarons with the stylized trunk shaped noses that
characterize this deity.
In the niches between these mascarons, there are personages, in
groups of two, probably representing the four bacabs or “Bearers
of Heaven" Gods. They are symbolized by the armadillo, the
snail, the turtle and the crab and are distinguished from each other
by their position on the four cardinal points.
On the upper part of the façade, there is a serpent- shaped
decor; on the top of the "cresteria", three mascarons
of Chaac jut out while a frieze is lined with grecques on the lower
part. On the sides of the back of the edifice, the ornaments (grecques,
mascarons and a jagged fringe of the cornice) are really plain compared
to the rich decoration of the façade.
The annex of the Nunnery
It is one of the most beautiful and harmonious edifices of style
Chénès in Chichén Itzá; it is a rectangular
building with three parallel gallerias of three rooms each plus
two rooms facing east and west , added later. The north and south
faces are decorated with slatted blind panels and the angles of
the façade end with mascarons of Chaac; there are also mascarons
on the frieze surrounded by moldings. The two upper moldings go
all around the edifice surrounding a stone bas-relief of a crawling
serpent.
The eastern façade presents many ornaments including mascarons
and heads with hooked noses (symbols of the God of rain); they are
disposed around the door in such a way that you feel like going
into an open mouth full of fangs. It could be interpreted as entering
the world of Gods.
Above the molding framing the entrance, a medallion is surrounded
by grecques and a seated personage wearing a feathered headgear
inside.
The north and south façades have moldings surmounted by allegorical
ornaments linked with the tail of the rattle snake; they look like
they were added long after the construction of this edifice. The
lintel located above the door presents a hieroglyph interpreted
as the representation of the year 800 A.D.
The edifice ends in a molding with a cornice that was once surmounted
by a "cresteria". You can notice it on the drawing by
English Frederik Cayherwood when he visited Chichén Itzá
in the middle of the last century.
Medallion of the façade of the Annex of the Nunnery : the
important people of the governing class used headgears as ornaments
and marks of their power. These headgears are made of feathers from
different birds and especially from the tail of the quetzal. This
bird lives in the tropical forests in the south of Chiapas
and Guatemala. The grandness of the headgear signifies the importance
of the seated personage carved on the upper part of the entrance.
The medallion is surrounded by grecques and mascarons
The
Temple of the Initial Serie
It is the most important temple in the "Grupo de la Fecha"
(Group of the Date). There is the only hieroglyph of Old Chichén
with a complete date: you can read 10.2.9.1.9 Muluc 7 Zac as well
as 10.2.10.0.0., 2 Ahau. It means 879 A.D. (Classical Maya time).
This date is written on a lintel slab supported by two huge “Atlante”
columns. Generally, the Mayan inscriptions start with what is called
Long Count or Initial Serie that is used to indicate the baktums
(about 400 year long cycles), the katuns (20 year cycles), the tuns
(years), the vinales (20 day cycles) and the kines (days).
The
Temple of the Atlantes
It is a small construction whose entrance was surrounded and decorated
by Atlantes. Parts of their clothing consisted of pectorals, bracelets,
bells and nose-pad; these elements prove that they were warriors.
The way their arms and hands were disposed let think that these
Atlantes were there to support the base of the roof. This kind of
sculpture is the manifestation, in the artistic and cultural field,
of the influence of the Toltec in Mayan culture.
The
Temple of the Owls
It is located in the middle of the jungle in Old Chichén.
Only the pillars remain but they are ornate with remarkable bas-reliefs
representing owls. These birds might have been the symbols of the
night or they were birds of ill omen. The use of owls as a decorative
element in the Peninsula might be due to the Toltec invaders: the
Mayas used other birds in their decoration: they were either realistic
representations or they were combined with human traits to create
imaginary and mythological beings.
The
Temple of the Three Lintels
This rectangular temple comprises three rooms whose doors are surmounted
with carved lintels; you can read the date 850 A.D. on one of them.
The upper part of the façade is ornate with a crawling serpent,
rows of small columns and two mascarons of Chaac on both angles.
The decor of the back part is made of slated blind shaped panels
and small columns.
To end the visit, notice the Akab Dzib, the house of Obscure Writing,
adorned with carved glyphs on the lintel located above the main
door on the south side. These glyphs have yet to be translated.
This structure comprises two rooms as well as two edifices with
eight gallerias covered with Maya vaults. These gallerias merge
at the north and the south. The façade is surmounted with
a "cresteria" and ornate with geometrical grecques; the
south door is surmounted with a stone lintel where a priest and
glyphs are carved. These glyphs still have not been deciphered:
it is the reason of the name of this temple: Akab-dzib meaning "Obscure
Writing".
 Not
far from there is the small cenote of Xtoloc, totally natural, which
wasn’t used for sacrifices like the one of the "New Chichén".
The site is open daily from 8AM to 5PM : the entrance fees are MXN$166 with light and sound show (7PM, Nov-Mar or 8PM, Apr-Oct
- duration 45 min). It is located 45 minutes from Valladolid. Only for light and sound show, it is MXN$69 but very disappointed show ! For the day, the rate is MXN$115.
Because
of the number of tourists, we recommend to be there in the morning,
at the opening.
This site is inscribed on the Cultural World Heritage list
of Unesco since 1988 : 
The pyramid of Kukulkán is part of the seven new world marvels
chosen among 21 sites from the five continents after the vote of
millions of people on the internet.
 Display
the selection of the photos about Chichén Itzá site
How to get there : It is easily accessible from Mérida,
Valladolid, Cancun,
Tulum and Playa
del Carmen. The buses drop you off at the main entrance. To
leave the site, you can buy tickets at the office of Ticket Bus
located in the welcome center. There are buses with the companies
ADO and Oriente (ride to Valladolid,
Cancun and Mérida
slower with this company because of the many stops in different
villages). There are ATM and foreign exchange in the Hall of the hotel Mayaland
and in the mall at the entrance of the site. There are also lockers
available.
We incite you to buy crafts sold on the site : we were very surprised
with the good price and quality of the work !
Map of the state of Yucatán :
Ek'Balam,
" Black jaguar "
This 2,900 acre big city appears to have been founded by King Ek'Balam
who reigned there for 40 years. The majestic constructions dating
from the Late Classical Period (900 A.D.) were built on two main
plazas – North and South – in a central area surrounded
by two walls with five gates. Thanks to the works of exploration
and restoration, started in 1994 by the National Institute of Anthropology
and History (INAH), notables structures were dig out. The rich décor
with cut stone or polychrome stucco has a unique style. The monumental
architecture, the steles, the network of trails and the glyph texts
show that Ek'Balam was a rich Capital controlling a region inhabited
by many people.
Entering the southern part of the area, after walking around a ball
court, you come to the South Plaza surrounded by two twin buildings
called "Gemelas" and the Ova Palace (Palacio
Oval).
A few steles, with the head of a king, can be seen on a small platform.
This place was the residence of the elite.
 The
latest (1999) big surprise is the discovery of the Acropolis on
the North Plaza. It is a huge multi-level structure. It measures
158 m (474 feet) long, 68 m (204 feet) wide and 32 m (96 feet) tall.
Many rooms are linked with numerous stairs like the secret passages
of the castles of Medieval Europe. Half way up appeared the complete
facade of a temple, whose decoration looks more like the glittery
sculpture of Copán than the Post Classical style of Chichén
Itzá. Angels with feathers in their backs, made in stucco,
are integrated in mascarons. Above the door shaped as the mouth
of a jaguar, another angel sits on the edge of the molding, with
drooping legs. At the foot of the central stairs, heads of snake-dragon
stick out a tongue with the emblem of Ek'Balam, the very important
city of the northern kingdoms. The view from the top is fantastic
!
This site, with still a limited attendance, is open to the public
while in restoration for many other years. It is located less than
20 km (12.5 miles) from Valladolid
– it is a wonderful site – Open daily, 8AM-5PM, entrance
fees : MXN$89 for foreigners and 64 for mexican people.
 Plan
of the archaeological sites of Dzibilchaltun and Ek'Balam
:
Display
the selection of the photos about the site of Ek'Balam
How to get
there : Take a combi at Calle 44, corner 35 and 37 in Valladolid
for Ek'Balam (MXN$40).
 
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